@h.ear.t | tobias Freut mich, dass es dir gefallen hat. Danke

That must have been an interesting exhibition!

The Lyra has its own sound generators, they respond to closing the electric circuit with your fingers on contact spots. The sound generators have a really slow attack, so you end up using their sound to create spheric soundscapes, it's almost impossible to play melodies. Each sound generator can be tweaked steplessly in the pitch, and a pair of neighboring sound generators can be tweaked in the shape (triangle->square or so). They can also be used for modulating each other. Then, there's the effect section which is a quite unique delay.

Yes, I plug in an analogue picked up Kalimba into the Lyra, to let its sound be modified by the effect section of the Lyra, and to add the Lyra's own sounds.

The continuum has its own internal sounds (a mix of multisamples and digital sound generators) which respond sophisticatedly to the playing on the continuum surface and to foot pedals.

The Internal Sounds are implemented using a variety of synthesis techniques including FM, physical modeling, timbre morphing, pitch shifting, additive synthesis, waveshaping, convolution, and classical synthesis.

http://www.hakenaudio.com/Continuum/hakenaudiointerm.html


I used to control external synths (both analogue and digital) with it, but I hate all the midi setting up, it's so annoying, at the moment I use just the internal sounds (which could be programmed if you like). It's not possible to use the Continuum as a sampler/looper though.

Wir können gerne auf deutsch weiter darüber austauschen, wenn du möchtest